![]() Contributors including Do Make Say Think’s Charles Spearin, Leslie Feist, prolific indie violinist Jessica Moss, and Stars’ Evan Cranley all stepped into the broad channel when an opening was spotted. Within Canning and Drew’s arrangements you can feel the presence of their guests, who would be involved in the formation of the ensemble that seized and stretched the indie world’s T-shirt collar the following year with You forgot It in People. It was perhaps without intent that a culture of recording and performing with interchangeable combinations of contributors was taking shape. ![]() These nocturnal deep dives fortified the chemistry that would entice the local talent amongst them to augment it. Before growing the Canadian collective that would become a magnetic movement, Kevin Drew and Brendan Canning were solidifying their musical friendship while working on abstract atmospheric compositions in the wee hours of Toronto mornings. It also invited like-minded musicians, and then listeners, aboard a ride without a confirmed destination. ![]() Feel Good Lost was an ambient free-form record extending an explicit prescription for those who would play it. Their 2001 debut album of exploratory post-rock instrumentals didn’t overtly foretell this. In honor of our 15th Anniversary some of our writers are reflecting on some of their favorite albums (and movies and TV shows) from 2001.īroken Social Scene are one of the pioneering bands of indie rock as we now know it, proffering exuberant and imaginative anthems and ballads that have influenced many of the band’s Canadian successors and alternative music on the whole. Under the Radar’s very first print issue came out in December 2001.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |